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And you have to let life be life.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. The 75-year-old actor, who won his best-actor Oscar in 1978 for The Goodbye Girl, added, “And what are we risking? Are we really risking hurting people’s feelings? You can’t legislate that.

Two of four inclusion standards, ranging from having at least one lead or “significant supporting” character in the movie be from “an underrepresented racial or ethnic group” to having the film’s storyline focus on one of those groups or having a creative leadership team partially made up of underrepresented groups, must be met in order for a project to earn best-picture consideration from the Academy. And no one should be telling me as an artist that I have to give in to the latest, most current idea of what morality is.” Full Book Summary As Vanity Fair opens, an unnamed narrator introduces the audience to the two main characters: Becky Sharp, the protagonist, who is a poor but clever young woman, and her friend, Amelia Sedley, the sweet, naive daughter of a middle-class family. “It’s also a form of commerce, and it makes money, but it’s an art. When asked about the rules, which were first announced in 2020 and will be instituted for the upcoming 2024 Oscars, during a wide-ranging interview with Margaret Hoover on Friday’s episode of PBS’s Firing Line, Dreyfuss minced no words. “This is an art form,” he said. Richard Dreyfuss, the Oscar-winning star of Jaws and American Graffiti, says recently unveiled Academy inclusion requirements that mandate onscreen representation and diverse behind-the-scenes hiring “make me vomit.”

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